Wednesday 24 December 2014

Wednesday 24th December 2014 - Kauto Star - Retirement for a King


 
Kauto Star – Retirement for a King

 

Since Kauto Star’s dressage display on the opening night of equestrian elite Olympia, his performance has been subject to mass uproar in the racing community and beyond. Understandably, the champion racehorse was unlike any we have seen before, and is often considered bridesmaid only to the mighty Arkle. Many people believe the subject has been reported as merely an unnecessary moral panic, as no other ex-racehorse has received such attention. However, Kauto Star was not your ordinary racehorse, so it would be difficult to apply ordinary logic. The issue of retired racehorses is building momentum in a sport plagued with fragility; surely an issue of this proportion deserves mass attention? Having watched Kauto Star avidly for years as a racing fan, I can understand how people simply want him to be happy.

Laura Collett is a professional eventer at the peak of her career, having been taught by the best and won numerous accolades within the sphere. It is undeniable that Kauto Star is treated like royalty at her base in Lambourn, so welfare concerns are clearly deluded pledges in vain in this scenario. Many racehorses are being mistreated after unsuccessful careers, is this not more important? Are the majority of writers negating this, or simply over exaggerating?

Many retired racehorses make the transition to dressage, and I for one am pleased that Kauto Star is still learning. For an intelligent horse, he deserves to be stimulated and he still has a lot of potential in a second career. Many people have criticised the lacklustre, somewhat ugly display at Olympia, yet it would be ludicrous to judge a decision so important on a single performance. In the racing world if Paul Nicholls had adopted the same attitude I’m sure Kauto Star wouldn’t have been half the success he is now. It was viewed as unfortunate yet acceptable for Kauto to take heavy falls when racing, yet a single sub-par dressage display is forbidden?
 
 
 

 
 
 
 
The entire spectacle would have been incredibly daunting and I’m sure Kauto Star will progress having had the experience. It has been said that Clive Smith is solely interested in monetary rewards, as a tilt at the Olympics in 2016 was mentioned in the fledgling stages of the transition– was this media exaggerations or does Smith want more from a horse that has bought him so much? Or could he simply be avoiding injury for his racing great, as dressage involves a different set of muscles than racing and jumping at speed? Many people believe Kauto Star ‘tied up’ (cramps of the hindquarter muscles), or looked lame, hence causing his irresponsive display, in which case his discomfort was not typical, and his performance can be forgiven. Another point to consider is Kauto has performed beautifully at various other venues recently without any protesters, could he simply be a substandard dressage horse, and is that okay? Or with extensive training could he be destined for the top?

The other side of the argument reveals that Laura Collett is hugely talented and has another project owned by Clive Smith, the promising Pamero 4, who has already completed successfully and displays undeniable adoration for the job. As such a high profile figure, would Kauto Star receive more time and attention with someone else? Many other people, including Paul Nicholls and his team at Dicheat, believe they could give him 100% of their time and care. Is this not what he deserves? Kauto Star’s Olympia display showed his blatant disinterest towards his work, which has spurred such debate – the main concern should be the happiness of the horse, and could it only take this one occasion to show the public that he’s not in love with his new career?

Following the champions exit from Nicholls’s yard in 2012, the Somerset trainer subsequently fell out with owner Clive Smith because Kauto was taken way before anticipated. As shown recently on Channel 4 Racing’s website, each horse is different and can adapt to a range of new careers, fellow stable-mates and racing giants Big Buck’s and Denman now participate in hunting and team chasing, and many of those who spent time with Kauto thought this would be ideal considering his love for love for racing.  
 
 
 
 
 
 

EX-RACEHORSES IN NEW CAREERS>>>




If Laura Collett, one of the best out there, cannot get Kauto Star to show his best, who can?

Finally, after reading Jonathan Powell’s book “Kauto Star and Denman” it was interesting to discover after coming over to the UK from France, his first groom Sonja Warburton described him as “scared of his own shadow” and “frightened of everything”. She stated “It was a long time before he trusted me or anyone else.” Apparently it took him months to settle and he would dart into the corner of his box at the sight of head lad Clifford Baker. This is obviously understandable and horses adapt, as for instance, Clifford Baker subsequently became one of the main figures in Kauto Star’s life. Yet horses are sensitive creatures, and if it is Kauto Star’s instinct to be nervous, is this something that could reappear in new surroundings or situations?

Collect reportedly said that the horse suffered from “stage fright” at Olympia. Yet he performed in front of thousands at most of the major racing festivals, including when submerged into a swarming mass of people after his bigger wins in the 5 King Georges and 2 Cheltenham Gold Cups. Is this similar to demonstrating at Olympia or is the spectacle entirely different?

When it comes down to it, Clive Smith owns Kauto Star. The public hold him in deep affection, and for a treasured amount of time on the track, he was “our” horse. But this is simply no longer, and we cannot control his whereabouts. Yes, it is sad to see him manipulated forcefully in the dressage ring, and it is understandable that we feel protective of our hero, but was this simply a blip on his otherwise budding dressage career? Or is it an indicator of what is to come for Kauto Star, an ultimately lethargic life beyond racing?

This video has very recently been released, and indicates that Kauto Star will continue with his routine that has served him so well. I think it would be unreasonable for me to suggest what Kauto Star should do with his life, as I am not familiar with the horse. I  just hope that those who are keep his needs at the forefront of their minds at all times, as he owes no one anything and has already represented RoR with tremendous zest.
 
WHAT IS NEXT FOR KAUTO STAR>>>


 

Please let me know your thoughts on the entire issue. Tweet me at: @mp_horseracing

Monday 15 December 2014

Monday 15th December 2014 - Rock On Ruby


Rock On Ruby
 
In a week where torrid luck has overshadowed racings imminent enthusiasm, heads turned once again to Cheltenham in hope of compliment for the sport. The harrowing demise of talented trio Big Shu, Balbriggan and Oscar Whisky cast shadows over the ardently anticipated International meeting. But Prestbury Park was typically resplendent on this December afternoon as heroic nine-year-old Rock On Ruby claimed the Relkeel Hurdle, epitomising the same adoration for his job that parallels our passions. Professionalism, fluency and bravery saw him triumph as he paid handsome tribute to our fallen friends who brought us such in the past.

Fittingly, rookie trainer Harry Fry met Rock On Ruby’s groom Ciara, who looked after Rock On Ruby for such a large segment of his ever-exuberant career, upon the horses transfer to his yard.  The couple recently breached new ground when becoming parents for the first time. Their daughter, aptly named Ruby, witnessed her namesake win in the arms of her mother. Another longstanding presence that continues to contribute to the veteran’s success is regular rider Noel Fehily, who has ridden him for his last 12 starts, including the pinnacle win in 2011’s Champion Hurdle.

Noel stated:

“He’s just a great horse. He’s been very good to me, I absolutely love him to bits, and he’s one of those horses that would go through the pain barrier for you. He’s so tough. He travelled well today, jumped great; he just loves it around Cheltenham. Harry Fry and Ciara who look after him have done such a good job, because he’s not the easiest to train.”

Channel 4 Racing’s Jim McGrath added:

“He’s been a champion, why was he a champion? Because he jumps, he tries and he’s got a good level of ability. And the people around him absolutely love him. And you could hear the crowd as he passed the line, he got a right cheer.”

Smart hurdler Volnaix De Thaix looked briefly outpaced before chasing the winner home to bravely minimise the winning margin to 2 ¼ lengths. Brother Brian, a somewhat rare runner over jumps for Hughie Morrison, ran pleasingly in 3rd and last home was the disappointing Lac Fontana, who never really figured.

The ultimate target for Rock on Ruby is sure to be the Aintree Hurdle, a race in which he was narrowly beaten by fellow Cheltenham specialist and Champion Hurdle bound The New One last year. It appears Rock On Ruby’s future now lies beyond the 2 mile championship distance, and back over the smaller obstacles after a failed stint chasing. It will be interesting to see where his campaign takes him without an obvious festival race suiting his abilities as an older horse.

Saturday belonged to those at the peak of Cheltenham hierarchy, as another bijou fairytale was plucked from its Gloucestershire turf. Racing’s implacable nature often invites us to look to the future and the potential of what could be. Yet this does not mean the illuminative memories that have been will fail to remain- far from it, in fact.